Animals As Leaders
Sometimes, a band’s music registers just as seismically on an emotional wavelength as it does on a sonic spectrum. Animals As leaders—Tosin Abasi [guitar], Javier Reyes [guitar], and Matt Garstka [drums]—reimagine, reinterpret, and refresh instrumental prog, experimental metal, modern jazz, alternative, and even world music to a point where the reaction becomes primal on their fourth full-length album, The Madness of Many [Sumerian Records]. “ What you’re hearing is the madness of the band, what happens in our heads, and what it sounds like when you put it all together,” exclaims Javier. “ For us, that’s the sound of the new album. It’s simply the madness of these three individuals. We’re trying to create something that only we can do.” That’s why Animals As Leaders have risen to celebrated heroes of their respective instruments since first emerging in 2007. Most recently, 2014’s The Joy of Motionbowed at #24 on the Billboard Top 200, moving 13,000 copies first-week. Along the way, the trio has earned acclaim from the likes of Consequence of Sound, Revolver, Ultimate Guitar, and Rolling Stone who extolled them, “ as satisfying in their visceral kick as they are in dazzling displays of dexterity.” Tosin would grace the cover of Guitar World twice, while Matt covered Modern Drummer. Consistently delivering a captivating show, they’ve toured alongside Deftones, Between The Buried And Me, Periphery, and many others in addition to Tosin joining Joe Satriani at the G4 Experience and Steve Vai and Nuno Bettencourt for the Generation Axe Tour. Matt remains a sought-after talent, performing on Late Night With Seth Meyersand at drum clinics and festivals worldwide, and Javier’s solo project Mestis stands out as a fan favorite. When it came time to begin working on new music in late 2015, the musicians possessed a clear vision for their next evolution. “ Instead of enlisting a producer, we ended up doing everything ourselves for the first time,” says Javier. “ We were really influencing each other, and it’s the most collaborative effort so far.” The band opened up the writing process like never before since Matt joining in 2012. Ideas were flowing freely, and his contributions added another dimension to the group’s signature style. “ We’ve known each other’s processes for years, but we really melded here,” adds Matt. “ Their approaches have become mine and vice versa. It was great to be a part of the creation as the record really reflects all of our voices.” “ He helped glue together a lot of the parts that Tosin and I wrote,” Javier continues. “ He brought that sense of arrangement to the table. It gave birth to something new.” Another first, Tosin and Javier actually wrote guitar to the drums of six-minute album opener “ Arithmophobia.” It’s polyrhythmic percussive palette provided the perfect backdrop for distinct dexterous riffing and a hypnotic hummable lead.
“ That was something I sent the guys, and I sat down and explained it,” reveals Matt. “ It turned into a very cool track.” “ Eventually, it didn’t seem so foreign,” chuckles Javier. “ It challenged us to create a new style while still persevering who we are.” Meanwhile, single “ The Brain Dance” begins with delicate acoustic guitars before morphing into a head-spinning tapestry of fret fireworks. “ Most people would expect a heavy song,” he goes on. “ It moves like a dance, ballet, or something very theatrical. That’s where the title came from. It’s literally a journey in your head.” Ultimately, The Madness of Many will impact listeners like only Animals As Leaders can. Javier leaves off, “ I just want to blow people’s minds and leave them speechless, so they want to share the record.”
Veil of Maya
The Chicago based VEIL OF MAYA have definitely taken the hard road to success grinding it out on the road through countless tours over the years, but now that backbreaking schedule is paying off tenfold. This quartet are one of the few very bands that can authentically mix elements of progressive metal, melodic death metal, thrash and hardcore brutality together effectively, all while keeping the listener constantly interested with baited breath wondering just what is coming next. This is exactly why they will have a career for years to come.
With their third full-length album, Eclipse, they continued to blend Meshuggah-esque riffs, shreddy solos and haunting melodies into a compelling package that garnered high acclaim from fans and media alike. With his overflowing riff bank in hand, the group have continued to churn out new material that has ultimately resulted in the new tracks featured on this much anticipated new EP release. The results are even more jagged and heterogenous with dizzying guitar savagery, jazz chords and fragmented leads congealing in a swarm of blast beats. VEIL OF MAYA are firing on all cylinders and remain one of the top artists within the genre never adhering to any preconceived ideals further pushing the envelope with each new track they create.