X - 40th Anniversary Tour
Sat · May 13, 2017
$30.00 - $99.00
Tickets at the Door
This event is 12 and over
All patrons must have a valid form of identification present, regardless of age, at the time of entry for all 18+ and 21+ shows and events.
No backpacks, large bags or large purses allowed. Maximum Size 4.5″ x 6.5"
No professional audio/visual or any digital recording equipment will be allowed into the venue, without prior permission and arrangements. You must be on the artist photo pass list in order to enter with cameras with detachable lenses.https://www.thebeacham.com/event/1448473/
The fact is, no one sounds like X and no one ever will.
It's not surprising when you consider the group's unique beginnings, which can only be attributed to fate. On the same day with nearly the exact same wording, two want-ads appear in a local music rag. One was sent in by a guitarist named Billy Zoom, the other by bassist who called himself John Doe.
Zoom, a rockabilly rebel who'd performed with Gene Vincent, had read a negative review of a band called the Ramones. It said they only played three chords and they played 'em too fast. So naturally, he went to see them. The show was at the Golden West Ballroom in the L.A. suburb of Norwalk in early '77, and as soon as the Ramones started to perform, Zoom realized that, musically, he'd found exactly what he wanted to do with his life.
Doe, who was originally from the Baltimore area, was already down with the East Coast CBGB's scene and by the time the two got in the same room together after responding to each other's ads, it seemed it was meant to be. They performed a few shows with various drummers before a poet with no ambition of being a singer would enter the picture.
Doe found her in Venice Beach, at a poetry reading. He liked her poems so much he offered to perform them in his band. The poet, Exene Cervenka, had just moved to town from Florida and she told him, no offense, but if anyone was gonna perform her poems, it would be her, and she soon ended up in the band. Zoom was skeptical about someone's girlfriend being in the band. After they did their first show with Exene, he didn't know exactly what it was she had, but he knew it was magic.
After a succession of drummers, Doe was at the underground punk club the Masque in Hollywood one night, checking out a band called the Eyes, which featured a pre-Go-Go's bass player named Charlotte Caffey. He called Zoom immediately and said he'd found their drummer. Doe told him he played with a parade snare and hit it hard as a hammer. Zoom told him to promise him anything. His name was D.J. Bonebrake and he quickly signed on. The band was now complete, and X would soon emerge from the young punk scene as one of its most successful offspring.
The band's early albums, Los Angeles (1980), produced by Ray Manzarek of the Doors, Wild Gift (1981), and Under the Big Black Sun (1982) explored dark love and an even darker L.A. with the unflinching eye of a Raymond Chandler novel. Doe and Cervenka would marry and later divorce, but they'd always remain soulmates. As they released each ensuing album, More Fun in theNew World(1983) and Ain't Love Grand (1985), the band continued to grow sonically and politically, fearlessly mixing genres without ever losing its center. As each member went on to explore diverse careers—careers that included acting, art, writing, producing and multiple side projects."
These past few years have found her nabbing two fan voted Ameripolitan Awards in 2014 - taking one for Best Female Honky Tonk and the other for Best Female Rockabilly; a Peabody Award that she accepted onstage at the Waldorf Astoria in New York City for her narration of the documentary Whole Lotta Shakin; producing Janis Martin's 2012 CD The Blanco Session" which tied at number one with Rosie's Working Girls Guitar on the FAR chart; and a multimedia Janis Martin Tribute that she created and performed at the Rock n Roll Hall Of Fame in 2012.
All these accolades propelled her into performing at the Chuck Berry Tribute at the Rock and Roll Hall of Fame along with other great musicians including Vernon Reid and David Johansen, which led Rolling Stone Magazine to proclaim that she was "one of the most impressive acts of the evening… and the only performer brave enough to playfully attempt a duck walk."
Her current records are Girl Of The Century (2010 Bloodshot Records) , and Working Girls Guitar (2012 Bloodshot Records). The latest record marks a first for Rosie as she is not only the producer but is the only guitar player, which garnered feature stories in Guitar World, Premiere Guitar and Guitar Player. She penned some new tunes that ride some new waves. Twanging between a rock and a surf place, Rosie fires up the big chord guns on songs that tell some hard earned tales.
Rosie's solos recordings have found homes on both the Billboard and Gavin charts and are featured in seven motion pictures. Her revved-up performances from California to New York have won legions of fans and earned appearances on such nationally broadcast television programs as "Austin City Limits" and "Late Night with Conan O'Brien."
"Flores, a guitar-toting rockabilly singer from Texas, has long been the darling of the country circuits in L.A. and Austin (where August 31 was declared Rosie Flores Day, in 2006). She has a voice that, like Gram Parsons's, cracks in all the right places and an untempered approach to guitar picking that's a wonder to behold." - The New Yorker 'Night Life'
"Rosie Flores is an ambassador of 'Ameripolitan.' She brings rockabilly, honky-tonk and Western swing." - Paul Cambra, Auburn Journal
46 N Orange Ave.
Orlando, FL, 32801